Tuesday, November 17, 2009
Cain Manoli Bioagraphy
Born during the communist regime in Romania, a Latin country situated in mostly-Slavic Eastern Europe, Cain lived his first seven years of his life in horrific poverty and terror induced by the country's dictator and his "Securitate", the Big Brother-type government agency of local espionage. Reading about things like blue jeans, chocolate or sodas in books and dictionaries, he never saw them in real life until long after the fall of communism in 1989. Even during such hard times, Cain's love for acting was able to blossom. As a child, he would be in every kindergarten and school play and even organize little shows with other children for their neighbors. As time went by, this love for acting and theater morphed into a love of film and soon Cain found himself quite a movie buff, watching movie after movie on the translated videocassettes that appeared on the Romanian market. Years later, having studied English extensively, and due to his extracurricular work, he enrolled at the prestigious Phillips Exeter Academy, in Exeter, New Hampshire, where he took his first acting classes and directed his first play, Christopher Durang's "The Living Room". He then went on to act in Richard Brinsley Sheridan's "The School for Scandal", as the vicious Joseph Surface, and in Tom Stoppard's "Rosencrantz and Guildenstern are Dead" as title character Rosencrantz. He then moved to Boston, where he chose advertising as his major, a field of study close to the entertainment industry but not really part of it. In the summer break preceding his junior year, while back at home in Bucharest, he simply walked in the offices of a local record company (Sony Music Romania) demanding a meeting with the A&R director, who happened to be the head of the company himself. He offered Cain a contract on the spot, and a year later, he released "All She Wants Is The Money", the title track from "Break The Game Rules", his debut album. The hot video, featuring a simulated sex orgy between male and female Romanian top-models (with Cain in the center, of course), created a lot of buzz, and the young artist began showing up in a plethora of different local TV shows. Just one year later, after putting music on pause due to contractual issues, he attended the casting for "Return of the Living Dead" movies, in which he was supposed to read for the part of Zeke, but having already done the "bad boy" thing in his musical career, he decided to try for the more laid-back funny-man Jeremy. Ever since completing "Return of the Living Dead 5: Rave to the Grave", Cain has been the co-host of a TV show called "I'd Do Anything", and has filmed a large supporting role in the upcoming thriller "Catacombs", starring Pink.
Cain Manoli Interview 2
Cain - can you start us off with a little description of the room where you are answering these questions?
Well it's actually my bedroom so I all I can say is that it's very clean and bright right now, it has a bed, a desk and a closet and a window through which I'm hearing the neighbor's dog barking endlessly for being locked out. In fact, there's always an annoying sound coming from out there, be it lawn-mowers, garbage trucks or this dog. And trust me, when they wake me up with these sounds, I want to grab a big knife, a hockey mask and go play. I've seen too many horror movies, huh?
First lets talk about 'Catacombs' which is the first original movie on Fearnet. I just watched it the other night. How did your role as Leon come about?
In the original script, Leon and Nico were twins, but the directors I think had a hard time finding funny twins who spoke English well in Romania so they scrapped that. Of course, maybe they just saw me and Radu (who plays Nico) and were so impressed they re-wrote the script for us. LOL. As for how did I get it? Through a casting in Bucharest, Romania. I originally went in for Michel, but I was blonde at the time and they needed someone dark and mysterious so they made me improvise that I'm high on some drug and I made them laugh. Next thing I know, I get a call saying I'm going to be Leon.
Filming a movie somewhere like the catacombs beneath Paris seems like it would be filled with all sorts of technical difficulties. What was the most challenging part of the shoot?
Sorry to burst your bubble, but it's all a soundstage. The people at Media Pro Studios did an amazing job creating these really creepy hallways inside a soundstage. The most challenging part of the shoot must be the scene where the CataCops break up the party. We had to run around for about one or two hours being chased, and the dust off the floor began to rise to the point where all extras and actors had masks for breathing in-between takes. I think two days later I was still coughing up dust.
So was it creepy for you to film on the set surrounded by all the skulls and bones?
You know, I have to admit that the set was very realistic. It really helped us get in character and feel like we really shouldn't be there. But I can't say that it was creepy. There's always a huge crew involved with every shoot so no one was alone. I think it might have been very creepy for Shannyn who is an amazing actress and who prepares intensely for each scene - I think she made sure it was creepy when she was filming her solo scenes running through the Catacombs. But then again, I'd do the same. No matter how thorough your preparation is for getting in a certain state of mind, it's nothing like actually creating the reality of the scene when you shoot.
You also starred as Jeremy in 'Return of the Living Dead 5: Rave to the Grave' (2005). What was your most memorable moment or recollection of that film shoot?
I had a lot of fun on that shoot. Again, it comes from my way of tackling the role - Jeremy was a big buffoon and a DJ, so he's always getting people to have fun and party. And I ended up being somewhat similar. I'd hang out with the crew and the extras, chat endlessly with everyone during my takes, dance around, crack jokes, etc. All in all, I really enjoyed myself. I was a bit sad that the American actors were a little out of their element, being in a different country and not knowing anyone except the American crew. I read somewhere their complaints over how they had nothing to do all the time and how there's nothing to do in Bucharest. They should have hung out with me, I guess, cause I was having a blast.
Have you always been a big horror fan and are roles in horror movies something you pursued or is that just the way your film career has gone so far?
It just happened that way. Most of the movies being shot in Romania tend to be horror because the budget is usually smaller. Also because my country can really look like anything they need. But that's not to say that I am not excited for having been in two horror movies. Right before my first role in ROTLD5, I was telling some friends how badly I wanted to play a vampire or a zombie, how fun it would be. And a few months later, I got my wish. I'm only sad that due to time constraints they never shot my death scene for Catacombs. I would have loved to be chopped to pieces.
Do you have any other future films or projects lined up you would like to let the www.racksandrazors.com fans know about?
I am supposed to be filming this little independent feature about italian painter Caravaggio. Definitely a stretch from the horror movies, but that's one of the reasons I want to do it. I'll get to wear a wig and speak italian and be a bohemian painter named Mario Minniti.
You grew up in Romania under the communist regime in the 80s. What are your most vivid recollections of that time?
Oh God. I have to say my most vivid memory is when I was very little, sitting in my parents' bedroom watching TV by myself. Ceausescu, the communist leader, used to have gatherings that were televised where he would speak and everyone was supposed to clap in admiration. If you didnt agree with his speech, you'd be suddenly escorted out by security, and you'd dissapear either for a few days to re-evaluate your own points of view, or forever. So anyway, I was watching one of these congress meetings and began applauding when they applauded on TV. But then I realized I didn't know what I was applauding for and I felt really bad about having done it. It's a very strange memory but I think that even I, at 5 years old, was registering that the applause was wrong and fake.
I also want to chat a bit about your debut album 'Break the Game Rules'. Who have been your biggest musical influences and which come across most strongly on the CD?
That album came out when I was 21, I think. It was a great stepping stone for me and I learned a tremendous amount of things for having done it, but I was not really calling the shots. I was approached with a concept and I agreed because it was something I thought would be cool - posing as a bad boy who sings mainly about sex. I'm not a prude or a late-bloomer in that department, but I have been raised well by my mother and in real life, I'm much more discreet about such topics. So the real me was a bit incongruous with the character I was portraying through my music. For my new music, a demo of which is on my website http://www.myspace.com/cainmanoli, I've looked to Robbie Williams, Dido, Madonna and Depeche Mode for inspiration.
What's in your CD player right now?
You mean in my iPod? Lots and lots of different music - Zen meditation and Enya right next to country music or Janet Jackson. As an actor, I use music sometimes to get into certain moods, so I want to make sure I have a vast array of music to choose from. A couple of weeks ago I went for an audition where my character was an awkward high-schooler who eventually discovers supernatural powers in himself. I found a cheesy song which would have been perfect for the soundtrack and played it over and over again while driving to the casting director.
And your DVD player?
This is going to sound silly, but Agatha Christie's Poirot movies. I bought a collection of them. I feel really British and old when I watch them, but I love guessing who's the murderer.
What was the first movie you saw that made you sleep with the lights on?
It was a TV show - Twin Peaks. Watched a little bit of an episode and had nightmares for weeks on end. Granted, I was very young at the time. Being in a horror movie has cured me forever of being scared by them. Yes, I get the jolts when I watch them in theaters, but they don't haunt me after that. I just have to think of the make-up or the fake blood or the several takes they did of each scene and I can go sleep like a baby. Also, I think there was a scene from The Omen that really scared me at the time - where a priest is decapitated by this big piece of glass
Okay, we're pulling into the Cain Manoli Drive In. What three horror movies are on the triple bill tonight and what goodies are they going to be serving up at the concession stand?
Haha. That's a really fun question. I'd give my drive-in a better name though. The movies would have to be: "The Others", "The Ring" and "28 Days Later". As for the concession stand - lotsa chocolate and Coke and Red Bull, to get people jittery.
What scares you in real life?
Fanatics. Killing others in the name of God. Prejudice and hatred. Or cults. Stories like Matthew Shepard or People's Temple. I'm most scared about what sociologists call "group hysteria" and in general, the way masses of people can be affected through carefully worded speeches.
Well it's actually my bedroom so I all I can say is that it's very clean and bright right now, it has a bed, a desk and a closet and a window through which I'm hearing the neighbor's dog barking endlessly for being locked out. In fact, there's always an annoying sound coming from out there, be it lawn-mowers, garbage trucks or this dog. And trust me, when they wake me up with these sounds, I want to grab a big knife, a hockey mask and go play. I've seen too many horror movies, huh?
First lets talk about 'Catacombs' which is the first original movie on Fearnet. I just watched it the other night. How did your role as Leon come about?
In the original script, Leon and Nico were twins, but the directors I think had a hard time finding funny twins who spoke English well in Romania so they scrapped that. Of course, maybe they just saw me and Radu (who plays Nico) and were so impressed they re-wrote the script for us. LOL. As for how did I get it? Through a casting in Bucharest, Romania. I originally went in for Michel, but I was blonde at the time and they needed someone dark and mysterious so they made me improvise that I'm high on some drug and I made them laugh. Next thing I know, I get a call saying I'm going to be Leon.
Filming a movie somewhere like the catacombs beneath Paris seems like it would be filled with all sorts of technical difficulties. What was the most challenging part of the shoot?
Sorry to burst your bubble, but it's all a soundstage. The people at Media Pro Studios did an amazing job creating these really creepy hallways inside a soundstage. The most challenging part of the shoot must be the scene where the CataCops break up the party. We had to run around for about one or two hours being chased, and the dust off the floor began to rise to the point where all extras and actors had masks for breathing in-between takes. I think two days later I was still coughing up dust.
So was it creepy for you to film on the set surrounded by all the skulls and bones?
You know, I have to admit that the set was very realistic. It really helped us get in character and feel like we really shouldn't be there. But I can't say that it was creepy. There's always a huge crew involved with every shoot so no one was alone. I think it might have been very creepy for Shannyn who is an amazing actress and who prepares intensely for each scene - I think she made sure it was creepy when she was filming her solo scenes running through the Catacombs. But then again, I'd do the same. No matter how thorough your preparation is for getting in a certain state of mind, it's nothing like actually creating the reality of the scene when you shoot.
You also starred as Jeremy in 'Return of the Living Dead 5: Rave to the Grave' (2005). What was your most memorable moment or recollection of that film shoot?
I had a lot of fun on that shoot. Again, it comes from my way of tackling the role - Jeremy was a big buffoon and a DJ, so he's always getting people to have fun and party. And I ended up being somewhat similar. I'd hang out with the crew and the extras, chat endlessly with everyone during my takes, dance around, crack jokes, etc. All in all, I really enjoyed myself. I was a bit sad that the American actors were a little out of their element, being in a different country and not knowing anyone except the American crew. I read somewhere their complaints over how they had nothing to do all the time and how there's nothing to do in Bucharest. They should have hung out with me, I guess, cause I was having a blast.
Have you always been a big horror fan and are roles in horror movies something you pursued or is that just the way your film career has gone so far?
It just happened that way. Most of the movies being shot in Romania tend to be horror because the budget is usually smaller. Also because my country can really look like anything they need. But that's not to say that I am not excited for having been in two horror movies. Right before my first role in ROTLD5, I was telling some friends how badly I wanted to play a vampire or a zombie, how fun it would be. And a few months later, I got my wish. I'm only sad that due to time constraints they never shot my death scene for Catacombs. I would have loved to be chopped to pieces.
Do you have any other future films or projects lined up you would like to let the www.racksandrazors.com fans know about?
I am supposed to be filming this little independent feature about italian painter Caravaggio. Definitely a stretch from the horror movies, but that's one of the reasons I want to do it. I'll get to wear a wig and speak italian and be a bohemian painter named Mario Minniti.
You grew up in Romania under the communist regime in the 80s. What are your most vivid recollections of that time?
Oh God. I have to say my most vivid memory is when I was very little, sitting in my parents' bedroom watching TV by myself. Ceausescu, the communist leader, used to have gatherings that were televised where he would speak and everyone was supposed to clap in admiration. If you didnt agree with his speech, you'd be suddenly escorted out by security, and you'd dissapear either for a few days to re-evaluate your own points of view, or forever. So anyway, I was watching one of these congress meetings and began applauding when they applauded on TV. But then I realized I didn't know what I was applauding for and I felt really bad about having done it. It's a very strange memory but I think that even I, at 5 years old, was registering that the applause was wrong and fake.
I also want to chat a bit about your debut album 'Break the Game Rules'. Who have been your biggest musical influences and which come across most strongly on the CD?
That album came out when I was 21, I think. It was a great stepping stone for me and I learned a tremendous amount of things for having done it, but I was not really calling the shots. I was approached with a concept and I agreed because it was something I thought would be cool - posing as a bad boy who sings mainly about sex. I'm not a prude or a late-bloomer in that department, but I have been raised well by my mother and in real life, I'm much more discreet about such topics. So the real me was a bit incongruous with the character I was portraying through my music. For my new music, a demo of which is on my website http://www.myspace.com/cainmanoli, I've looked to Robbie Williams, Dido, Madonna and Depeche Mode for inspiration.
What's in your CD player right now?
You mean in my iPod? Lots and lots of different music - Zen meditation and Enya right next to country music or Janet Jackson. As an actor, I use music sometimes to get into certain moods, so I want to make sure I have a vast array of music to choose from. A couple of weeks ago I went for an audition where my character was an awkward high-schooler who eventually discovers supernatural powers in himself. I found a cheesy song which would have been perfect for the soundtrack and played it over and over again while driving to the casting director.
And your DVD player?
This is going to sound silly, but Agatha Christie's Poirot movies. I bought a collection of them. I feel really British and old when I watch them, but I love guessing who's the murderer.
What was the first movie you saw that made you sleep with the lights on?
It was a TV show - Twin Peaks. Watched a little bit of an episode and had nightmares for weeks on end. Granted, I was very young at the time. Being in a horror movie has cured me forever of being scared by them. Yes, I get the jolts when I watch them in theaters, but they don't haunt me after that. I just have to think of the make-up or the fake blood or the several takes they did of each scene and I can go sleep like a baby. Also, I think there was a scene from The Omen that really scared me at the time - where a priest is decapitated by this big piece of glass
Okay, we're pulling into the Cain Manoli Drive In. What three horror movies are on the triple bill tonight and what goodies are they going to be serving up at the concession stand?
Haha. That's a really fun question. I'd give my drive-in a better name though. The movies would have to be: "The Others", "The Ring" and "28 Days Later". As for the concession stand - lotsa chocolate and Coke and Red Bull, to get people jittery.
What scares you in real life?
Fanatics. Killing others in the name of God. Prejudice and hatred. Or cults. Stories like Matthew Shepard or People's Temple. I'm most scared about what sociologists call "group hysteria" and in general, the way masses of people can be affected through carefully worded speeches.
Cain Manoli Interview
Funny, forthright and talented musician-actor Cain Manoli (www.cainontheweb.com) most likely has produced envy in every horror wanna-be’s hearts with his first two leading roles. As Jeremy in Return of the Living Dead 5: Rave to the Grave, Manoli not only gets to offer up the movie’s delirious title during its’ party sequence, but he practically steals the screen from all his undead co-stars with his honest and charismatic charm. As Leon in the Pink starring fright fest Catacombs, he also proves to have a winning and magnetic glow despite the film’s gloomy subterranean surroundings. The very busy Manoli recently took some time to answer some questions for this fright-filled Horror Society exclusive!
Brian: Who were your first performing influences – Albert Finney cruising down the Orient Express- Peter Ustinov grappling with the Evil Under the Sun – David Suchet figuring every last minor detail of the mystery out?
Cain: I’m not sure why you chose Agatha Christie movies for this question, but the truth is I’ve only seen the David Suchet ones. He’s absolutely great as Poirot, in my opinion. Going back to your question, my performing influences are Johnny Depp, John Malkovich, Glenn Close and Meryl Streep. By that I mean that these are the top actors I admire. In terms of acting technique, I usually use a combination of Strasberg and Chubbuck and some other bits and pieces I discovered work for me.
Brian: When you use music to get into a role – is it more for character essence or does it help you find a rhythm to the dialogue? Or – imagine that – does it do both?
Cain: It’s only to set the mood, to help me get into the skin of the character. Music is such a powerful tool. To give you an example: I recorded a short recently in which I played a character in the vein of Sebastian Valmont of Cruel Intentions. I listened to Madonna’s “Secret” and “Candy Perfume Girl” as well as Billie Myers’ “Tell Me”, to get myself in that sexual-predator mood.
Brian: Speaking of excess – Let’s say you’re at the end of your life – How would you have liked to have ‘raved’ to the grave?
Cain: Wow, I hate thinking about death. I’d love to go out in a good mood, but the best way to die is during an orgasm, I would think. You come and you go. He he.
Brian: Wow! Okay – You got to deal with some special effects (drug induced saliva; zombiedom) as Jeremy in ROLTD: Rave to the Grave. What was that experience like?
Cain: I love, love, loved every minute of it. Of course I heard my share of sperm jokes when they kept putting that gooey saliva on my face, but the zombie make-up was amazing. - Especially with all the pieces of glass in my face. The only crappy part was my death scene in which I’m wearing only this thin hoodie covered in blood and it was literally 50 degrees outside. Romania can get really cold in the fall/winter.
Brian: Do you have a favorite behind-the-scenes moment from Rave to the Grave?
Cain: – Probably when I got the part. I always love hearing “You got the part”. Ha-ha. But from the set, it was all fun. It was my very first time on a professional film set so I was constantly in everyone’s business when I wasn’t filming. To the point where they had to tell me politely that it would be better if I didn’t show up on the days when I wasn’t filming. But the point is I was really excited to be part of the whole moviemaking process.
Brian: Cool. – You have now reached your goal of playing a zombie on film – any other creatures that you’d care to tackle?
Cain: Vampires, man!!! I want to be a bad-ass vampire so bad. But in a good movie, like “Interview with a Vampire”. I had an audition recently in which I had to play a really old vampire. I had so much fun preparing for the role, imagining how it would feel like being so old in years, but remaining always young… The wisdom and cynicism that would come with it, or if the evil side would take over, since consequences are not an issue anymore…
Sadly, when I got there, they changed the role on me and made me audition for the young vampire who just got turned. I was bummed about that…
Brian: Did the constructed ‘Catacombs’ of – wait for it – Catacombs help the cast develop a sense of other-worldliness and establish the fear needed for the project?
Cain: I can’t speak for the others, but it definitely helped me. It was all so realistic and creepy. However, my character was not afraid in the Catacombs. He helped organize parties there, so obviously he was much more comfortable in them than Shannyn’s character. Still, as an actor, whenever you don’t have to strain your imagination to help create the reality of your scene, your work only gets easier, so I definitely appreciated it.
Brian: As a musician with one CD under your belt, were you able to talk music biz with the fabulous Pink on the set of Catacombs?
Cain: Ha-ha. She is fabulous. But no, I didn’t talk music biz a lot. I am careful to remain professional in every project that I do. I know for a fact an extra on the set was annoying her, trying to push his album in her hands and so on, and I find that ridiculous. There’s a time and place for everything. When you’re making a movie, you’re making a movie, not trying to leech on someone more successful than you.
Brian: Good point. Alas, you didn’t get to shoot Leon’s death scene in Catacombs– but if you had – what would his final words have been?
Cain: Ha-ha. Well, he was French so probably “Merde!” or “Putaine!” Look them up.
Brian: H-m-m…Well – Lastly, as I try to refrain from blushing, do you have any words of advice (IE: Never take a shot of Z in the dark with someone’s crazy stepsister) or future projects that you’d like to leave us with? And thanks – this has been better than burying thousands of bodies underneath the streets of Paris!
Cain: The one thing I know for sure is that you should enjoy every moment of your life. – Whatever the project, the situation, try to look at the glass half-full. On a less serious note, don’t play pranks on people on medication. As for future projects, you can keep track of me at www.cainontheweb.com - And don’t knock burying bodies under Paris until you’ve tried it!
Brian: Who were your first performing influences – Albert Finney cruising down the Orient Express- Peter Ustinov grappling with the Evil Under the Sun – David Suchet figuring every last minor detail of the mystery out?
Cain: I’m not sure why you chose Agatha Christie movies for this question, but the truth is I’ve only seen the David Suchet ones. He’s absolutely great as Poirot, in my opinion. Going back to your question, my performing influences are Johnny Depp, John Malkovich, Glenn Close and Meryl Streep. By that I mean that these are the top actors I admire. In terms of acting technique, I usually use a combination of Strasberg and Chubbuck and some other bits and pieces I discovered work for me.
Brian: When you use music to get into a role – is it more for character essence or does it help you find a rhythm to the dialogue? Or – imagine that – does it do both?
Cain: It’s only to set the mood, to help me get into the skin of the character. Music is such a powerful tool. To give you an example: I recorded a short recently in which I played a character in the vein of Sebastian Valmont of Cruel Intentions. I listened to Madonna’s “Secret” and “Candy Perfume Girl” as well as Billie Myers’ “Tell Me”, to get myself in that sexual-predator mood.
Brian: Speaking of excess – Let’s say you’re at the end of your life – How would you have liked to have ‘raved’ to the grave?
Cain: Wow, I hate thinking about death. I’d love to go out in a good mood, but the best way to die is during an orgasm, I would think. You come and you go. He he.
Brian: Wow! Okay – You got to deal with some special effects (drug induced saliva; zombiedom) as Jeremy in ROLTD: Rave to the Grave. What was that experience like?
Cain: I love, love, loved every minute of it. Of course I heard my share of sperm jokes when they kept putting that gooey saliva on my face, but the zombie make-up was amazing. - Especially with all the pieces of glass in my face. The only crappy part was my death scene in which I’m wearing only this thin hoodie covered in blood and it was literally 50 degrees outside. Romania can get really cold in the fall/winter.
Brian: Do you have a favorite behind-the-scenes moment from Rave to the Grave?
Cain: – Probably when I got the part. I always love hearing “You got the part”. Ha-ha. But from the set, it was all fun. It was my very first time on a professional film set so I was constantly in everyone’s business when I wasn’t filming. To the point where they had to tell me politely that it would be better if I didn’t show up on the days when I wasn’t filming. But the point is I was really excited to be part of the whole moviemaking process.
Brian: Cool. – You have now reached your goal of playing a zombie on film – any other creatures that you’d care to tackle?
Cain: Vampires, man!!! I want to be a bad-ass vampire so bad. But in a good movie, like “Interview with a Vampire”. I had an audition recently in which I had to play a really old vampire. I had so much fun preparing for the role, imagining how it would feel like being so old in years, but remaining always young… The wisdom and cynicism that would come with it, or if the evil side would take over, since consequences are not an issue anymore…
Sadly, when I got there, they changed the role on me and made me audition for the young vampire who just got turned. I was bummed about that…
Brian: Did the constructed ‘Catacombs’ of – wait for it – Catacombs help the cast develop a sense of other-worldliness and establish the fear needed for the project?
Cain: I can’t speak for the others, but it definitely helped me. It was all so realistic and creepy. However, my character was not afraid in the Catacombs. He helped organize parties there, so obviously he was much more comfortable in them than Shannyn’s character. Still, as an actor, whenever you don’t have to strain your imagination to help create the reality of your scene, your work only gets easier, so I definitely appreciated it.
Brian: As a musician with one CD under your belt, were you able to talk music biz with the fabulous Pink on the set of Catacombs?
Cain: Ha-ha. She is fabulous. But no, I didn’t talk music biz a lot. I am careful to remain professional in every project that I do. I know for a fact an extra on the set was annoying her, trying to push his album in her hands and so on, and I find that ridiculous. There’s a time and place for everything. When you’re making a movie, you’re making a movie, not trying to leech on someone more successful than you.
Brian: Good point. Alas, you didn’t get to shoot Leon’s death scene in Catacombs– but if you had – what would his final words have been?
Cain: Ha-ha. Well, he was French so probably “Merde!” or “Putaine!” Look them up.
Brian: H-m-m…Well – Lastly, as I try to refrain from blushing, do you have any words of advice (IE: Never take a shot of Z in the dark with someone’s crazy stepsister) or future projects that you’d like to leave us with? And thanks – this has been better than burying thousands of bodies underneath the streets of Paris!
Cain: The one thing I know for sure is that you should enjoy every moment of your life. – Whatever the project, the situation, try to look at the glass half-full. On a less serious note, don’t play pranks on people on medication. As for future projects, you can keep track of me at www.cainontheweb.com - And don’t knock burying bodies under Paris until you’ve tried it!
Intro To Cain Manoli
Cain Manoli Was Born In Romania. He came to the U.S.A when he was seven. He has been in to sponsored movies ("Catacombs" and "Return to the Living Dead 5: Rave to the Grave"). Cain has also been working on independent movies ("Tug of Night" and Oldhill House"). Even though Cain lives in the U.S.A, he still does work in Romania. Cain currently lives in L.A California. Check ou Cain's website to learn more.
http://www.cainontheweb.com
http://www.cainontheweb.com
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